“Quite true,” whispered the prince.
Everyone in the room began to laugh.
“My fate is to be decided today” (it ran), “you know how. This day I must give my word irrevocably. I have no right to ask your help, and I dare not allow myself to indulge in any hopes; but once you said just one word, and that word lighted up the night of my life, and became the beacon of my days. Say one more such word, and save me from utter ruin. Only tell me, ‘break off the whole thing!’ and I will do so this very day. Oh! what can it cost you to say just this one word? In doing so you will but be giving me a sign of your sympathy for me, and of your pity; only this, only this; nothing more, _nothing_. I dare not indulge in any hope, because I am unworthy of it. But if you say but this word, I will take up my cross again with joy, and return once more to my battle with poverty. I shall meet the storm and be glad of it; I shall rise up with renewed strength.
Ptitsin here looked in and beckoned to Gania, who hastily left the room, in spite of the fact that he had evidently wished to say something more and had only made the remark about the room to gain time. The prince had hardly had time to wash and tidy himself a little when the door opened once more, and another figure appeared.

On the latter’s arrival, at six in the morning, Gania had gone to him in his room, bringing with him the singed packet of money, which he had insisted that the prince should return to Nastasia Philipovna without delay. It was said that when Gania entered the prince’s room, he came with anything but friendly feelings, and in a condition of despair and misery; but that after a short conversation, he had stayed on for a couple of hours with him, sobbing continuously and bitterly the whole time. They had parted upon terms of cordial friendship.

“And you’ll never reproach me with it?”

“It’s a good thing that there is peace in the house, at all events,” he continued. “They never utter a hint about the past, not only in Aglaya’s presence, but even among themselves. The old people are talking of a trip abroad in the autumn, immediately after Adelaida’s wedding; Aglaya received the news in silence.”
“Oh, don’t apologize. No, I don’t think I have either talents or special abilities of any kind; on the contrary. I have always been an invalid and unable to learn much. As for bread, I should think--”
“Yes, he was.”

“I have not asked you to marry me yet, Aglaya Ivanovna,” said the prince, becoming suddenly animated; “but you know yourself how much I love you and trust you.”

“There are the letters.” (Aglaya took three letters out of her pocket and threw them down before the prince.) “For a whole week she has been entreating and worrying and persuading me to marry you. She--well, she is clever, though she may be mad--much cleverer than I am, as you say. Well, she writes that she is in love with me herself, and tries to see me every day, if only from a distance. She writes that you love me, and that she has long known it and seen it, and that you and she talked about me--there. She wishes to see you happy, and she says that she is certain only I can ensure you the happiness you deserve. She writes such strange, wild letters--I haven’t shown them to anyone. Now, do you know what all this means? Can you guess anything?”
“From you to me? Ha, ha! that’s nothing! Why, she always acts as though she were in a delirium now-a-days! Either she says, ‘Come on, I’ll marry you! Let’s have the wedding quickly!’ and fixes the day, and seems in a hurry for it, and when it begins to come near she feels frightened; or else some other idea gets into her head--goodness knows! you’ve seen her--you know how she goes on--laughing and crying and raving! There’s nothing extraordinary about her having run away from you! She ran away because she found out how dearly she loved you. She could not bear to be near you. You said just now that I had found her at Moscow, when she ran away from you. I didn’t do anything of the sort; she came to me herself, straight from you. ‘Name the day--I’m ready!’ she said. ‘Let’s have some champagne, and go and hear the gipsies sing!’ I tell you she’d have thrown herself into the water long ago if it were not for me! She doesn’t do it because I am, perhaps, even more dreadful to her than the water! She’s marrying me out of spite; if she marries me, I tell you, it will be for spite!”
He could not believe that this was the same haughty young girl who had once so proudly shown him Gania’s letter. He could not understand how that proud and austere beauty could show herself to be such an utter child--a child who probably did not even now understand some words.
“No, no, no!” cried the prince, with unspeakable sadness.
“Oh yes, but then, you see, you are a philosopher. Have you any talents, or ability in any direction--that is, any that would bring in money and bread? Excuse me again--”
“When I tried to rid her soul of this gloomy fallacy, she suffered so terribly that my heart will never be quite at peace so long as I can remember that dreadful time!--Do you know why she left me? Simply to prove to me what is not true--that she is base. But the worst of it is, she did not realize herself that that was all she wanted to prove by her departure! She went away in response to some inner prompting to do something disgraceful, in order that she might say to herself--‘There--you’ve done a new act of shame--you degraded creature!’
“‘I believe,’ indeed! Did that mischievous urchin give it to her?”
Mrs. Epanchin examined the portrait of Nastasia Philipovna for some little while, holding it critically at arm’s length.
“Oughtn’t-oughtn’t we to secure her?” asked the general of Ptitsin, in a whisper; “or shall we send for the authorities? Why, she’s mad, isn’t she--isn’t she, eh?”

The eyes--the same two eyes--met his! The man concealed in the niche had also taken a step forward. For one second they stood face to face.

“Oh, he is much more likely not to kill anyone at all,” said the prince, gazing thoughtfully at Evgenie. The latter laughed disagreeably.
“I can’t understand why you always fly into a temper,” said Mrs. Epanchin, who had been listening to the conversation and examining the faces of the speakers in turn. “I do not understand what you mean. What has your little finger to do with it? The prince talks well, though he is not amusing. He began all right, but now he seems sad.”

“Oh, I supposed you were coming,” the other replied, smiling sarcastically, “and I was right in my supposition, you see; but how was I to know that you would come _today?_”

In order to pass from the Vauxhall to the band-stand, the visitor has to descend two or three steps. Just at these steps the group paused, as though it feared to proceed further; but very quickly one of the three ladies, who formed its apex, stepped forward into the charmed circle, followed by two members of her suite.
One of these women so despised the other, and so longed to express her contempt for her (perhaps she had only come for that very purpose, as Rogojin said next day), that howsoever fantastical was the other woman, howsoever afflicted her spirit and disturbed her understanding, no preconceived idea of hers could possibly stand up against that deadly feminine contempt of her rival. The prince felt sure that Nastasia would say nothing about the letters herself; but he could judge by her flashing eyes and the expression of her face what the thought of those letters must be costing her at this moment. He would have given half his life to prevent Aglaya from speaking of them. But Aglaya suddenly braced herself up, and seemed to master herself fully, all in an instant.
The prince begged him to take a chair.
Ivan Petrovitch began to stare at him with some surprise; the dignitary, too, looked at him with considerable attention; Princess Bielokonski glared at him angrily, and compressed her lips. Prince N., Evgenie, Prince S., and the girls, all broke off their own conversations and listened. Aglaya seemed a little startled; as for Lizabetha Prokofievna, her heart sank within her.
“At once... at once... in one moment!”
“Then how did they--look here! Did Aglaya show my letter to the old lady?”
For instance, when the whole essence of an ordinary person’s nature lies in his perpetual and unchangeable commonplaceness; and when in spite of all his endeavours to do something out of the common, this person ends, eventually, by remaining in his unbroken line of routine--. I think such an individual really does become a type of his own--a type of commonplaceness which will not for the world, if it can help it, be contented, but strains and yearns to be something original and independent, without the slightest possibility of being so. To this class of commonplace people belong several characters in this novel;--characters which--I admit--I have not drawn very vividly up to now for my reader’s benefit.
Lizabetha Prokofievna was about to rise, when she saw Hippolyte laughing, and turned upon him with irritation.
“Look here, Lef Nicolaievitch, you go straight on to the house; I shall walk on the other side. See that we keep together.”
“I will tell you all the story. I am his nephew; he did speak the truth there, although he is generally telling lies. I am at the University, and have not yet finished my course. I mean to do so, and I shall, for I have a determined character. I must, however, find something to do for the present, and therefore I have got employment on the railway at twenty-four roubles a month. I admit that my uncle has helped me once or twice before. Well, I had twenty roubles in my pocket, and I gambled them away. Can you believe that I should be so low, so base, as to lose money in that way?”
“She was a Countess who rose from shame to reign like a Queen. An Empress wrote to her, with her own hand, as ‘_Ma chère cousine_.’ At a _lever-du-roi_ one morning (do you know what a _lever-du-roi_ was?)--a Cardinal, a Papal legate, offered to put on her stockings; a high and holy person like that looked on it as an honour! Did you know this? I see by your expression that you did not! Well, how did she die? Answer!”

“On the contrary, I shall sit as far from it as I can. Thanks for the hint.”

“Is there anything you hold sacred?”
As he came forward to wish his wife good-morning and kiss her hands, as his custom was, he observed something in her look which boded ill. He thought he knew the reason, and had expected it, but still, he was not altogether comfortable. His daughters advanced to kiss him, too, and though they did not look exactly angry, there was something strange in their expression as well.

He tried to get upon his feet again, but the old man still restrained him, gazing at him with increasing perturbation as he went on.

Prince S. paused, as though unwilling to continue talking about Nastasia Philipovna.
“Send Feodor or Alexey up by the very first train to buy a copy, then.--Aglaya, come here--kiss me, dear, you recited beautifully! but,” she added in a whisper, “if you were sincere I am sorry for you. If it was a joke, I do not approve of the feelings which prompted you to do it, and in any case you would have done far better not to recite it at all. Do you understand?--Now come along, young woman; we’ve sat here too long. I’ll speak to you about this another time.”

Yes, all this must be put straight and above-board, there must be no more passionate renouncements, such as Rogojin’s. It must all be clear as day. Cannot Rogojin’s soul bear the light? He said he did not love her with sympathy and pity; true, he added that “your pity is greater than my love,” but he was not quite fair on himself there. Kin! Rogojin reading a book--wasn’t that sympathy beginning? Did it not show that he comprehended his relations with her? And his story of waiting day and night for her forgiveness? That didn’t look quite like passion alone.

“No, no, I mean with the ‘explanation,’ especially that part of it where he talks about Providence and a future life. There is a gigantic thought there.”
“That is exactly the word I wanted,” said the general with satisfaction--“a curiosity. However, the most astonishing and, if I may so express myself, the most painful, thing in this matter, is that you cannot even understand, young man, that Lizabetha Prokofievna, only stayed with you because you are ill,--if you really are dying--moved by the pity awakened by your plaintive appeal, and that her name, character, and social position place her above all risk of contamination. Lizabetha Prokofievna!” he continued, now crimson with rage, “if you are coming, we will say goodnight to the prince, and--” “Allow me to speak, please, mamma,” said Aglaya. “I think I ought to have something to say in the matter. An important moment of my destiny is about to be decided”--(this is how Aglaya expressed herself)--“and I wish to find out how the matter stands, for my own sake, though I am glad you are all here. Allow me to ask you, prince, since you cherish those intentions, how you consider that you will provide for my happiness?” “Well, hardly at all. I wish I were, if only for the sake of justifying myself in her eyes. Nina Alexandrovna has a grudge against me for, as she thinks, encouraging her husband in drinking; whereas in reality I not only do not encourage him, but I actually keep him out of harm’s way, and out of bad company. Besides, he’s my friend, prince, so that I shall not lose sight of him, again. Where he goes, I go. He’s quite given up visiting the captain’s widow, though sometimes he thinks sadly of her, especially in the morning, when he’s putting on his boots. I don’t know why it’s at that time. But he has no money, and it’s no use his going to see her without. Has he borrowed any money from you, prince?”

“What did I want? Well, to begin with, it is good to meet a man like you. It is a pleasure to talk over my faults with you. I know you for one of the best of men... and then... then...”

“Halloa! what’s this now?” laughed Rogojin. “You come along with me, old fellow! You shall have as much to drink as you like.”