“I haven’t been to see her for five days,” he repeated, after a slight pause. “I’m afraid of being turned out. She says she’s still her own mistress, and may turn me off altogether, and go abroad. She told me this herself,” he said, with a peculiar glance at Muishkin. “I think she often does it merely to frighten me. She is always laughing at me, for some reason or other; but at other times she’s angry, and won’t say a word, and that’s what I’m afraid of. I took her a shawl one day, the like of which she might never have seen, although she did live in luxury and she gave it away to her maid, Katia. Sometimes when I can keep away no longer, I steal past the house on the sly, and once I watched at the gate till dawn--I thought something was going on--and she saw me from the window. She asked me what I should do if I found she had deceived me. I said, ‘You know well enough.’”
“However, observe” (she wrote in another of the letters), “that although I couple you with him, yet I have not once asked you whether you love him. He fell in love with you, though he saw you but once. He spoke of you as of ‘the light.’ These are his own words--I heard him use them. But I understood without his saying it that you were all that light is to him. I lived near him for a whole month, and I understood then that you, too, must love him. I think of you and him as one.”
| “Why, nothing else; that is all.” |
| “But how meek she was when you spoke to her!” |
“All this is pure philosophy,” said Adelaida. “You are a philosopher, prince, and have come here to instruct us in your views.”
Totski grew white as a sheet. The general was struck dumb. All present started and listened intently. Gania sat rooted to his chair.
| “On the contrary, he seems to be very well brought up. His manners are excellent--but here he is himself. Here you are, prince--let me introduce you, the last of the Muishkins, a relative of your own, my dear, or at least of the same name. Receive him kindly, please. They’ll bring in lunch directly, prince; you must stop and have some, but you must excuse me. I’m in a hurry, I must be off--” |
“I have been waiting all day for you, because I want to ask you a question; and, for once in your life, please tell me the truth at once. Had you anything to do with that affair of the carriage yesterday?”
When the prince ceased speaking all were gazing merrily at him--even Aglaya; but Lizabetha Prokofievna looked the jolliest of all.
The prince rose again, as if he would leave.
The prince took a chair.
“No--no, prince; you must forgive me, but I can’t undertake any such commissions! I really can’t.”
“Sometimes.”
But as we said before, the fact of Adelaida’s approaching marriage was balm to the mother. For a whole month she forgot her fears and worries.
| “What are you doing? Where are you going to? You can’t let him go now; if you do he’ll go and do something worse.” |
| “That is _not_ true,” said the prince, in an equally low voice. |
The prince went out deep in thought, and walked up and down the pavement for some time. The windows of all the rooms occupied by Rogojin were closed, those of his mother’s apartments were open. It was a hot, bright day. The prince crossed the road in order to have a good look at the windows again; not only were Rogojin’s closed, but the white blinds were all down as well.
| “I was strict, but just by nature. At that time we were stationed in a small town. I was quartered at an old widow’s house, a lieutenant’s widow of eighty years of age. She lived in a wretched little wooden house, and had not even a servant, so poor was she. |
| Rogojin asked his question like a lost soul appealing to some divinity, with the reckless daring of one appointed to die, who has nothing to lose. |
| “That is true,” said the prince, “I have thought so myself. And yet, why shouldn’t one do it?” |
“Where’s your luggage?” he asked, as he led the prince away to his room.
“You are not very modest!” said she.
Of course every one of them followed her.
“No, no, you needn’t do anything of the sort; you mustn’t hint gently at all. I’ll go down myself directly. I wish to apologize to this young man, because I hurt his feelings.”
“Oh, well, when I saw her she almost punched my head, as I say; in fact so nearly that one might almost say she did punch my head. She threw the letter in my face; she seemed to reflect first, as if she would have liked to keep it, but thought better of it and threw it in my face instead. ‘If anybody can have been such a fool as to trust a man like you to deliver the letter,’ says she, ‘take it and deliver it!’ Hey! she was grandly indignant. A fierce, fiery lady that, sir!”
Evgenie Pavlovitch continued some apparently extremely funny and interesting anecdote to Alexandra, speaking quickly and with much animation. The prince remembered that at this moment Aglaya remarked in a half-whisper:
| “Very well, but even if we admit that he _was_ alive in 1812, can one believe that a French chasseur pointed a cannon at him for a lark, and shot his left leg off? He says he picked his own leg up and took it away and buried it in the cemetery. He swore he had a stone put up over it with the inscription: ‘Here lies the leg of Collegiate Secretary Lebedeff,’ and on the other side, ‘Rest, beloved ashes, till the morn of joy,’ and that he has a service read over it every year (which is simply sacrilege), and goes to Moscow once a year on purpose. He invites me to Moscow in order to prove his assertion, and show me his leg’s tomb, and the very cannon that shot him; he says it’s the eleventh from the gate of the Kremlin, an old-fashioned falconet taken from the French afterwards.” |
But they all laughed on.
| “Let’s all go to my boudoir,” she said, “and they shall bring some coffee in there. That’s the room where we all assemble and busy ourselves as we like best,” she explained. “Alexandra, my eldest, here, plays the piano, or reads or sews; Adelaida paints landscapes and portraits (but never finishes any); and Aglaya sits and does nothing. I don’t work too much, either. Here we are, now; sit down, prince, near the fire and talk to us. I want to hear you relate something. I wish to make sure of you first and then tell my old friend, Princess Bielokonski, about you. I wish you to know all the good people and to interest them. Now then, begin!” |
General agitation prevailed. Nina Alexandrovna gave a little cry of anxiety; Ptitsin took a step forward in alarm; Colia and Ferdishenko stood stock still at the door in amazement;--only Varia remained coolly watching the scene from under her eyelashes. She did not sit down, but stood by her mother with folded hands. However, Gania recollected himself almost immediately. He let go of the prince and burst out laughing.
| It was about Easter, when, taking advantage of a momentary tête-à-tête Colia handed Aglaya a letter, remarking that he “had orders to deliver it to her privately.” She stared at him in amazement, but he did not wait to hear what she had to say, and went out. Aglaya broke the seal, and read as follows: |
“Oh, Lebedeff, Lebedeff! Can a man really sink to such depths of meanness?” said the prince, sadly.
| “Aglaya Ivanovna, aren’t you ashamed of saying such a thing? How could such a horrible idea enter your sweet, innocent heart? I am certain you don’t believe a word of what you say, and probably you don’t even know what you are talking about.” |
In a word, the incident closed as such incidents do, and the band began to play again. The prince walked away after the Epanchin party. Had he thought of looking round to the left after he had been pushed so unceremoniously into the chair, he would have observed Aglaya standing some twenty yards away. She had stayed to watch the scandalous scene in spite of her mother’s and sisters’ anxious cries to her to come away.