“Is what today?” cried the former. Then suddenly recollecting himself, he t

“But why did she run away to me, and then again from me to--”

He was particularly anxious that this one day should be passed--especially the evening--without unpleasantness between himself and his family; and just at the right moment the prince turned up--“as though Heaven had sent him on purpose,” said the general to himself, as he left the study to seek out the wife of his bosom.

“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”

“My dear, I am quite ready; naturally... the prince.”

Nastasia Philipovna’s reply to this long rigmarole astonished both the friends considerably.

“Oh, on the contrary! my mother will be very glad,” said Gania, courteously and kindly.

“No, it is impossible for me to come to your house again,” he added slowly.

At that moment Vera, carrying the baby in her arms as usual, came out of the house, on to the terrace. Lebedeff kept fidgeting among the chairs, and did not seem to know what to do with himself, though he had no intention of going away. He no sooner caught sight of his daughter, than he rushed in her direction, waving his arms to keep her away; he even forgot himself so far as to stamp his foot.

“Just now, I confess,” began the prince, with more animation, “when you asked me for a subject for a picture, I confess I had serious thoughts of giving you one. I thought of asking you to draw the face of a criminal, one minute before the fall of the guillotine, while the wretched man is still standing on the scaffold, preparatory to placing his neck on the block.”

“Of course; you can’t go in _there_ with it on, anyhow.”

“Prince, my dear fellow, do remember what you are about,” said the general, approaching Muishkin, and pulling him by the coat sleeve.

The question as to what she might have to say of special interest to himself occurred to him once or twice. He did not doubt, for a moment, that she really had some such subject of conversation in store, but so very little interested in the matter was he that it did not strike him to wonder what it could be. The crunch of gravel on the path suddenly caused him to raise his head.

Whether she were a woman who had read too many poems, as Evgenie Pavlovitch supposed, or whether she were mad, as the prince had assured Aglaya, at all events, this was a woman who, in spite of her occasionally cynical and audacious manner, was far more refined and trustful and sensitive than appeared. There was a certain amount of romantic dreaminess and caprice in her, but with the fantastic was mingled much that was strong and deep.

“Quite so--together! But the second time I thought better to say nothing about finding it. I found it alone.” Aglaya rushed quickly up to him, and was just in time to receive him in her arms, and to hear with dread and horror that awful, wild cry as he fell writhing to the ground.

Aglaya suddenly burst out laughing, as simply as a child.

“Even the porter does not know that I have come home now. I told him, and told them at my mother’s too, that I was off to Pavlofsk,” said Rogojin, with a cunning and almost satisfied smile. “We’ll go in quietly and nobody will hear us.”

“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.

“I don’t understand your condescension,” said Hippolyte. “As for me, I promised myself, on the first day of my arrival in this house, that I would have the satisfaction of settling accounts with you in a very thorough manner before I said good-bye to you. I intend to perform this operation now, if you like; after you, though, of course.”

“Yes, and look what you have come to now!” interrupted Mrs. Epanchin. “However, I see you have not quite drunk your better feelings away. But you’ve broken your wife’s heart, sir--and instead of looking after your children, you have spent your time in public-houses and debtors’ prisons! Go away, my friend, stand in some corner and weep, and bemoan your fallen dignity, and perhaps God will forgive you yet! Go, go! I’m serious! There’s nothing so favourable for repentance as to think of the past with feelings of remorse!”

“Yes, I am Rogojin, Parfen Rogojin.”

At this moment the study door opened, and a military man, with a portfolio under his arm, came out talking loudly, and after bidding good-bye to someone inside, took his departure.

“Your insinuations as to rivalry are rather cynical, Hippolyte. I’m sorry to say I have no right to answer you! As for Gania, I put it to you, _can_ any man have a happy mind after passing through what he has had to suffer? I think that is the best way to look at it. He will change yet, he has lots of time before him, and life is rich; besides--besides...” the prince hesitated. “As to being undermined, I don’t know what in the world you are driving at, Hippolyte. I think we had better drop the subject!”

“No, A. N. D.,” corrected Colia.

“Oh, don’t apologize. No, I don’t think I have either talents or special abilities of any kind; on the contrary. I have always been an invalid and unable to learn much. As for bread, I should think--”

“I have seen a donkey though, mamma!” said Aglaya.

A violent fit of coughing, which lasted a full minute, prevented him from finishing his sentence. He hesitated no longer; but opened the glazed door at the bottom of the outer stairs and made his way up to the second storey. The place was dark and gloomy-looking; the walls of the stone staircase were painted a dull red. Rogojin and his mother and brother occupied the whole of the second floor. The servant who opened the door to Muishkin led him, without taking his name, through several rooms and up and down many steps until they arrived at a door, where he knocked.

No sooner had the carriage driven off than the door opened once more; and Rogojin, who had apparently been awaiting them, let them in and closed it after them.

“H’m! and you think there was something of this sort here, do you? Dear me--a very remarkable comparison, you know! But you must have observed, my dear Ptitsin, that I did all I possibly could. I could do no more than I did. And you must admit that there are some rare qualities in this woman. I felt I could not speak in that Bedlam, or I should have been tempted to cry out, when she reproached me, that she herself was my best justification. Such a woman could make anyone forget all reason--everything! Even that moujik, Rogojin, you saw, brought her a hundred thousand roubles! Of course, all that happened tonight was ephemeral, fantastic, unseemly--yet it lacked neither colour nor originality. My God! What might not have been made of such a character combined with such beauty! Yet in spite of all efforts--in spite of all education, even--all those gifts are wasted! She is an uncut diamond.... I have often said so.”

“You call him a monster so often that it makes me suspicious.”

“Oh no! You see, I was half in hopes the general might find it. Because if I found it, why should not he too observe an object lying before his very eyes? I moved the chair several times so as to expose the purse to view, but the general never saw it. He is very absent just now, evidently. He talks and laughs and tells stories, and suddenly flies into a rage with me, goodness knows why.”

“Is such a thing possible?”

The Rogojin gang followed their leader and Nastasia Philipovna to the entrance-hall, laughing and shouting and whistling.

“Do you wish to make acquaintance?” asked the prince.

However, both the friends felt that the thing looked rosy indeed when one day Nastasia informed them that she would give her final answer on the evening of her birthday, which anniversary was due in a very short time.

Once she turned and observed the prince hurrying after them. Noticing his anxiety to catch them up, she smiled ironically, and then looked back no more. At length, just as they neared the house, General Epanchin came out and met them; he had only just arrived from town.

“You found it? Thank God for that!”

“Then you wanted me to lend you money?”

“I assure you of it,” laughed Ivan Petrovitch, gazing amusedly at the prince.

We have seen, however, that the general paid a visit to Lizabetha Prokofievna and caused trouble there, the final upshot being that he frightened Mrs. Epanchin, and angered her by bitter hints as to his son Gania.

“I hardly dare say,” said Lizabetha, as hurriedly, “but I think it’s as plain as anything can be.”

“Lukian Timofeyovitch! Lukian Timofeyovitch! Here’s someone to see you! Look here!... a gentleman to speak to you!... Well, it’s not my fault!” and the cook turned and went away red with anger.

No one met him; the verandah was empty, and nearly pitch dark. He opened the door into the room, but it, too, was dark and empty. He stood in the middle of the room in perplexity. Suddenly the door opened, and in came Alexandra, candle in hand. Seeing the prince she stopped before him in surprise, looking at him questioningly.

“Yes, he told me,” said the prince, feeling only half alive.

It was quite dark now, and Muishkin could not see her face clearly, but a minute or two later, when he and the general had left the villa, he suddenly flushed up, and squeezed his right hand tightly.

“Oh, but, positively, you know--a hundred thousand roubles!”

“Do you know the Rogojins?” asked his questioner, abruptly.

“Of course not.”

“It’s loaded all right,” said Keller, examining the pistol, “but--”

“It’s not the first time this urchin, your favourite, has shown his impudence by twisting other people’s words,” said Aglaya, haughtily.

Aglaya raised her happy, tearful face from her mother’s breast, glanced at her father, and burst out laughing. She sprang at him and hugged him too, and kissed him over and over again. She then rushed back to her mother and hid her face in the maternal bosom, and there indulged in more tears. Her mother covered her with a corner of her shawl.

“It is the truth. One evening after dinner he stumbled as he stepped out of his carriage. He fell, and struck his head on the curb, and died immediately. He was seventy-three years of age, and had a red face, and white hair; he deluged himself with scent, and was always smiling like a child. Peter Zakkaritch recalled my interview with him, and said, ‘_you foretold his death._’”

“I should think so, rather! I was not going to return and confess next day,” laughed Ferdishenko, who seemed a little surprised at the disagreeable impression which his story had made on all parties.

“Well, very well, very well!” she said, but quite in a different tone. She was remorseful now, and bent forward to touch his shoulder, though still trying not to look him in the face, as if the more persuasively to beg him not to be angry with her. “Very well,” she continued, looking thoroughly ashamed of herself, “I feel that I said a very foolish thing. I only did it just to try you. Take it as unsaid, and if I offended you, forgive me. Don’t look straight at me like that, please; turn your head away. You called it a ‘horrible idea’; I only said it to shock you. Very often I am myself afraid of saying what I intend to say, and out it comes all the same. You have just told me that you wrote that letter at the most painful moment of your life. I know what moment that was!” she added softly, looking at the ground again.

“Brought whom?” cried Muishkin.

“Kapiton didn’t exist either!” persisted Gania, maliciously. But on this occasion there was something more serious than usual. Everyone seemed to know something, but to be afraid to talk about it.

The prince rose.

The prince turned and came back, more confused than ever. When she burst out laughing, he smiled, but his tongue could not form a word as yet. At first, when he had opened the door and saw her standing before him, he had become as pale as death; but now the red blood had rushed back to his cheeks in a torrent.

“In spite of Norma’s terror she looked furious, though she trembled in all her limbs. At length she slowly bared her terrible teeth, opened her great red jaws, hesitated--took courage, and seized the beast in her mouth. It seemed to try to dart out of her jaws twice, but Norma caught at it and half swallowed it as it was escaping. The shell cracked in her teeth; and the tail and legs stuck out of her mouth and shook about in a horrible manner. Suddenly Norma gave a piteous whine; the reptile had bitten her tongue. She opened her mouth wide with the pain, and I saw the beast lying across her tongue, and out of its body, which was almost bitten in two, came a hideous white-looking substance, oozing out into Norma’s mouth; it was of the consistency of a crushed black-beetle. Just then I awoke and the prince entered the room.”

“‘He scarcely ever talked about the particular crimes of any of them, but listened if any volunteered information on that point. All the convicts were equal for him, and he made no distinction. He spoke to all as to brothers, and every one of them looked upon him as a father. When he observed among the exiles some poor woman with a child, he would always come forward and fondle the little one, and make it laugh. He continued these acts of mercy up to his very death; and by that time all the criminals, all over Russia and Siberia, knew him!