The prince shuddered, and gazed fixedly at Parfen. Suddenly he burst out laughing.
When the prince reached home, about nine o’clock, he found Vera Lebedeff and the maid on the verandah. They were both busy trying to tidy up the place after last night’s disorderly party.
“But what is it all about? Tell me, for Heaven’s sake! Cannot you understand how nearly it touches me? Why are they blackening Evgenie Pavlovitch’s reputation?”
“That is nothing!” said the prince, waving his hand.
“Let’s go and hear the band, then,” said Lizabetha Prokofievna, angrily rising from her place.
| Gania, little as he felt inclined for swagger at this moment, could not avoid showing his triumph, especially just after such humiliating remarks as those of Hippolyte. A smile of self-satisfaction beamed on his face, and Varia too was brimming over with delight. |
| The prince followed her. Arrived at the dining-room, she stopped. |
“Eighteen thousand roubles, for me? Why, you declare yourself a fool at once,” she said, with impudent familiarity, as she rose from the sofa and prepared to go. Gania watched the whole scene with a sinking of the heart.
“You should search your room and all the cupboards again,” said the prince, after a moment or two of silent reflection.
“But, my dear fellow, what are you doing, what do you mean?”
“You hear him! You count upon it, too,” she continued, turning upon Doktorenko. “You are as sure of him now as if you had the money in your pocket. And there you are playing the swaggerer to throw dust in our eyes! No, my dear sir, you may take other people in! I can see through all your airs and graces, I see your game!”
These warnings about Rogojin were expressed on the day before the wedding. That evening the prince saw Nastasia Philipovna for the last time before they were to meet at the altar; but Nastasia was not in a position to give him any comfort or consolation. On the contrary, she only added to his mental perturbation as the evening went on. Up to this time she had invariably done her best to cheer him--she was afraid of his looking melancholy; she would try singing to him, and telling him every sort of funny story or reminiscence that she could recall. The prince nearly always pretended to be amused, whether he were so actually or no; but often enough he laughed sincerely, delighted by the brilliancy of her wit when she was carried away by her narrative, as she very often was. Nastasia would be wild with joy to see the impression she had made, and to hear his laugh of real amusement; and she would remain the whole evening in a state of pride and happiness. But this evening her melancholy and thoughtfulness grew with every hour.
“Now and then I was able to persuade her almost to see light around her again; but she would soon fall, once more, into her old tormenting delusions, and would go so far as to reproach me for placing myself on a pedestal above her (I never had an idea of such a thing!), and informed me, in reply to my proposal of marriage, that she ‘did not want condescending sympathy or help from anybody.’ You saw her last night. You don’t suppose she can be happy among such people as those--you cannot suppose that such society is fit for her? You have no idea how well-educated she is, and what an intellect she has! She astonished me sometimes.”
“I am telling you the truth,” said the prince in his former composed tone of voice; “and believe me, I am extremely sorry that the circumstance should have made such an unpleasant impression upon you!”
| “Early?” said Lebedeff, sarcastically. “Time counts for nothing, even in physical chastisement; but my slap in the face was not physical, it was moral.” |
“Besides, though you are a prince and a millionaire, and even though you may really be simple and good-hearted, you can hardly be outside the general law,” Hippolyte declared loudly.
| The prince was touched; he took Gania’s hands, and embraced him heartily, while each kissed the other. |
“Screw!” laughed Hippolyte.
“Nervous about you?” Aglaya blushed. “Why should I be nervous about you? What would it matter to me if you were to make ever such a fool of yourself? How can you say such a thing? What do you mean by ‘making a fool of yourself’? What a vulgar expression! I suppose you intend to talk in that sort of way tomorrow evening? Look up a few more such expressions in your dictionary; do, you’ll make a grand effect! I’m sorry that you seem to be able to come into a room as gracefully as you do; where did you learn the art? Do you think you can drink a cup of tea decently, when you know everybody is looking at you, on purpose to see how you do it?”
“I am going out into the world, Katia; perhaps I shall be a laundress. I don’t know. No more of Afanasy Ivanovitch, anyhow. Give him my respects. Don’t think badly of me, girls.”
One of the representatives of the middle-class present today was a colonel of engineers, a very serious man and a great friend of Prince S., who had introduced him to the Epanchins. He was extremely silent in society, and displayed on the forefinger of his right hand a large ring, probably bestowed upon him for services of some sort. There was also a poet, German by name, but a Russian poet; very presentable, and even handsome--the sort of man one could bring into society with impunity. This gentleman belonged to a German family of decidedly bourgeois origin, but he had a knack of acquiring the patronage of “big-wigs,” and of retaining their favour. He had translated some great German poem into Russian verse, and claimed to have been a friend of a famous Russian poet, since dead. (It is strange how great a multitude of literary people there are who have had the advantages of friendship with some great man of their own profession who is, unfortunately, dead.) The dignitary’s wife had introduced this worthy to the Epanchins. This lady posed as the patroness of literary people, and she certainly had succeeded in obtaining pensions for a few of them, thanks to her influence with those in authority on such matters. She was a lady of weight in her own way. Her age was about forty-five, so that she was a very young wife for such an elderly husband as the dignitary. She had been a beauty in her day and still loved, as many ladies of forty-five do love, to dress a little too smartly. Her intellect was nothing to boast of, and her literary knowledge very doubtful. Literary patronage was, however, with her as much a mania as was the love of gorgeous clothes. Many books and translations were dedicated to her by her proteges, and a few of these talented individuals had published some of their own letters to her, upon very weighty subjects.
“No, no, no, no, no! Nothing of the sort, I assure you!” said Lebedeff, hastily. “Oh dear no, not for the world! Totski’s the only man with any chance there. Oh, no! He takes her to his box at the opera at the French theatre of an evening, and the officers and people all look at her and say, ‘By Jove, there’s the famous Nastasia Philipovna!’ but no one ever gets any further than that, for there is nothing more to say.”
He had moved a pace or two away, and was hiding his hands behind him.
“Lef Nicolaievitch!” cried Parfen, before he had reached the next landing. “Have you got that cross you bought from the soldier with you?”
| But alas! at the German lady’s house they did not even appear to understand what he wanted. After a while, by means of certain hints, he was able to gather that Nastasia must have had a quarrel with her friend two or three weeks ago, since which date the latter had neither heard nor seen anything of her. He was given to understand that the subject of Nastasia’s present whereabouts was not of the slightest interest to her; and that Nastasia might marry all the princes in the world for all she cared! So Muishkin took his leave hurriedly. It struck him now that she might have gone away to Moscow just as she had done the last time, and that Rogojin had perhaps gone after her, or even _with_ her. If only he could find some trace! |
II.
| “Hadn’t we better hear it tomorrow?” asked the prince timidly. |
“No, sir, _not_ corkscrew. I am a general, not a bottle, sir. Make your choice, sir--me or him.”
“Yes, I’ve been looking for you. I waited for you at the Epanchins’ house, but of course I could not come in. I dogged you from behind as you walked along with the general. Well, prince, here is Keller, absolutely at your service--command him!--ready to sacrifice himself--even to die in case of need.”
Mrs. Epanchin reflected a moment. The next minute she flew at the prince, seized his hand, and dragged him after her to the door.
“But what a pretty girl! Who is she?”
| “We shall see whether I understand or no!” said Gania, enigmatically. “But I shouldn’t like her to know all about father, all the same. I thought the prince would manage to hold his tongue about this, at least. He prevented Lebedeff spreading the news--he wouldn’t even tell me all when I asked him--” |
The prince pulled a letter out of his pocket.
| “There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!” |
However, she had not reached the outer hall when she turned round, walked quickly up to Nina Alexandrovna, seized her hand and lifted it to her lips.
“Perhaps so; but it is hardly possible that you told it so that it seemed like truth, or so that you were believed. And, as Gavrila Ardalionovitch has said, the least suggestion of a falsehood takes all point out of the game. It seems to me that sincerity, on the other hand, is only possible if combined with a kind of bad taste that would be utterly out of place here.”
“In the first place, my dear prince, don’t be angry with me. I would have come to see you yesterday, but I didn’t know how Lizabetha Prokofievna would take it. My dear fellow, my house is simply a hell just now, a sort of sphinx has taken up its abode there. We live in an atmosphere of riddles; I can’t make head or tail of anything. As for you, I feel sure you are the least to blame of any of us, though you certainly have been the cause of a good deal of trouble. You see, it’s all very pleasant to be a philanthropist; but it can be carried too far. Of course I admire kind-heartedness, and I esteem my wife, but--”
Perhaps the sisterly love and friendship of the three girls had more or less exaggerated Aglaya’s chances of happiness. In their opinion, the latter’s destiny was not merely to be very happy; she was to live in a heaven on earth. Aglaya’s husband was to be a compendium of all the virtues, and of all success, not to speak of fabulous wealth. The two elder sisters had agreed that all was to be sacrificed by them, if need be, for Aglaya’s sake; her dowry was to be colossal and unprecedented.
| The flat was divided by a passage which led straight out of the entrance-hall. Along one side of this corridor lay the three rooms which were designed for the accommodation of the “highly recommended” lodgers. Besides these three rooms there was another small one at the end of the passage, close to the kitchen, which was allotted to General Ivolgin, the nominal master of the house, who slept on a wide sofa, and was obliged to pass into and out of his room through the kitchen, and up or down the back stairs. Colia, Gania’s young brother, a school-boy of thirteen, shared this room with his father. He, too, had to sleep on an old sofa, a narrow, uncomfortable thing with a torn rug over it; his chief duty being to look after his father, who needed to be watched more and more every day. |
“Nastasia Philipovna!” began the general, reproachfully. He was beginning to put his own interpretation on the affair.
| “I assure you I ‘blabbed’ a great deal less than you seem to suppose,” said the prince, with some annoyance. Clearly the relations between Gania and himself were by no means improving. |
And he handed the prince the very letter from Aglaya to Gania, which the latter showed with so much triumph to his sister at a later hour.
| Totski immediately made some amiable remark. All seemed to brighten up at once, and the conversation became general. Nastasia made the prince sit down next to herself. |
| He could bear it no longer, and with a look of entreaty, mingled with reproach, he addressed Aglaya, pointing to Nastasia the while: |
| “It only remains for me, then, to thank Nastasia Philipovna for the great delicacy with which she has treated me,” said Gania, as pale as death, and with quivering lips. “That is my plain duty, of course; but the prince--what has he to do in the matter?” |
“Wait five minutes more, Mr. Burdovsky,” said Gavrila Ardalionovitch pleasantly. “I have more to say. Some rather curious and important facts have come to light, and it is absolutely necessary, in my opinion, that you should hear them. You will not regret, I fancy, to have the whole matter thoroughly cleared up.”
“It will be well,” she said, “if you put an end to this affair yourself _at once_: but you must allow us to be your witnesses. They want to throw mud at you, prince, and you must be triumphantly vindicated. I give you joy beforehand!”